Rabindra Nath Tagore (1861- 1941) was one of the greatest writers in the history of Indian literature. He won the Nobel Prize for Literature in 1913. Though he wrote in almost all literature genres, it is as a poet he was internationally recognized. The Irish poet . Yeats introduced Tagore to western readers. Tagore was the first Indian poet to gain a permanent place in the canon of world literature. His poems express intense romantic and mystic sensibilities and can be compared to those of William Wordsworth and William Blake for their mystic and romantic spirit. Gitanjali is considered as his masterpiece and his most famous collection is The Gardener, Fruit Gathering, Fugitive, and other poems.
All history is here: Sandeep Parmar’s Eidolon conjures Helen of Troy in cool Hellenic fragments, and John McCullough’s Spacecraft turns dead words from Johnson’s dictionary into lovers (the “flittermouse” never texted him back). Kim Kardashian’s Marriage by Sam Riviere and The Story of No by Emma Hammond both tackle the internet in its own glib, broken tongue, while John Clegg’s globetrotting Holy Toledo! brings Dons in the Mexican desert together with dons in Cambridge libraries. Judy Brown’s deliciously tactile Crowd Sensations (the best, but only by a nose) quietly twists concrete subjects from a cricket umpire to a cockroach into unsettling new shapes, a “mutable alphabet”.
Recent literary critics have used the term to mean simply the style of extended and heightened metaphor common in the Renaissance and particularly in the 17th century, without any particular indication of value. Within this critical sense, the Princeton Encyclopedia makes a distinction between two kinds of conceits: the Metaphysical conceit, described above, and the Petrarchan conceit. In the latter, human experiences are described in terms of an outsized metaphor (a kind of metaphorical hyperbole ), like the stock comparison of eyes to the sun, which Shakespeare makes light of in his Sonnet 130 : "My mistress' eyes are nothing like the sun."