Inferno critical essay

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On January 29, 2008, Odelay - Deluxe Edition was released. [16] The two-disc set contains the original album, plus 19 B-sides, remixes and previously unreleased songs. The liner notes feature complete lyrics and artwork as well as an essay from Thurston Moore and the transcript of 15 high school students interviewed by Dave Eggers . The cover art was deliberately edited to appear as if it was a personalized copy of the album, with stickers carelessly half-ripped off and various doodles on it (such as a face drawn on the dog and rainbows behind it) and including the phrase "Property of Michael" written on the back. The exclusion of "Diskobox" may have been done as a deliberate nod to the cover art having the 'strictly limited edition bonus track' sticker partly torn off.

The Inferno was of course written before the invention of the printing press, and was probably not widely read ? of course, at that time, very little could be said to be widely read, given literacy rates and lack of printed materials. Copyrights also did not exist, so we can discount the idea that Dante was writing to appeal to a large audience. He depended on aristocratic patrons, but the Inferno does not seem to have been written with patronage in mind either: there are few or no glowing references to Lord such-and-such's benevolence, as appear in many pre-copyright books. Probably Dante wrote the Inferno largely to gratify himself, to denounce his enemies and gain a certain amount of revenge. But also we cannot doubt that Dante wanted very much to be acclaimed as a poet. In Hell, he often offers to tell people on earth about the damned souls, so that their memories will not be forgotten: fame was a very important thing for Dante. The Divine Comedy was his master-piece, the work that would finally give him his place with Virgil and Homer .

(Sorry for the all-caps but I spent the 2011 “Arab Spring” year having to respond to people who felt compelled to keep saying  political uprisings are about social, economic and cultural grievances as if there were actual serious people who claimed otherwise–and as if that fact meant the communicative infrastructure was irrelevant which is either the view of a naive person who has never lived under a censorship regime where it becomes blindingly obvious why communication infrastructure matters–yes, all the way back to 1848 and even the French revolution as those stories are intertwined with the development of print, telegraph, railroads (which carry news and newspapers), etc.)

Inferno critical essay

inferno critical essay

(Sorry for the all-caps but I spent the 2011 “Arab Spring” year having to respond to people who felt compelled to keep saying  political uprisings are about social, economic and cultural grievances as if there were actual serious people who claimed otherwise–and as if that fact meant the communicative infrastructure was irrelevant which is either the view of a naive person who has never lived under a censorship regime where it becomes blindingly obvious why communication infrastructure matters–yes, all the way back to 1848 and even the French revolution as those stories are intertwined with the development of print, telegraph, railroads (which carry news and newspapers), etc.)

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